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10 Records with Nathanaël Larochette (Musk Ox)

Potrebbe essere un'immagine in bianco e nero raffigurante 1 persona, giacche e albero

With some of the most interesting and talented artists and bands coming from there (Rush and Godspeed You! Black Emperor are just a few example), Canada has always been a very inspiring and important land for music.

Musk Ox from Ottawa is no exception, with their unique sensitivity for creating emotional and inspired music by their beautiful blend of chamber music, neofolk, post-rock and romantic melancholia.

A little over a month ago, they have finally released after 7 years the new album Inheritance; a moving and magnificent work that confirms the incredible talent of the trio able to paint beautiful soundscapes with a cinematic thrilling impact and surprising with even more classical music and progressive influences than the previous masterpiece Woodfall.

On this article is a big pleasure for me to have Nathanaël Larochette, classical guitarist of Musk Ox, but also guitar player of The Night Wound and solo artist.

Below follows a list made by him with 10 of the most influential records of his life, as a musician, artist and of course as a music lover.

You can listen and buy the new Musk Ox album via the following link: https://muskoxofficial.bandcamp.com/album/inheritance

NATHANAEL LAROCHETTE - Invocation - YouTube
Fugees: The Score Album Review | Pitchfork

Fugees “The Score” (1996)

When I first got this album on cassette as a kid back in 1996 I had no idea it would eventually be regarded as one of the greatest hip-hop albums ever, I just liked the songs I saw on TV.

I still remember listening to this non-stop on my Walkman while on a family camping trip, barely able to grasp the layers of meaning and multitude of references but still completely enthralled.

Even after 25 years I’m blown away by the level of lyrical, musical and conceptual depth this album has to offer. Without realizing it, The Score laid the foundation for my deep love of concept records and cinematic musical storytelling.

NOFX: The Decline - Punkadeka - Punk web Magazine

NOFX “The Decline” (1999)

Punk rock will forever have the reputation of de-throning prog rock in the late 70s with its energetic and direct approach to songwriting so far removed from the conceptual epics, celestial imagery and flowing capes that had taken the world by storm earlier in the decade.

While it seemed like punk and prog could never exist together, “The Decline” manages to offer some of the best music either genre has to offer.

Koji Kondo: The Legend of Zelda: Ocarina of Time Album Review | Pitchfork

Koji Kondo “The Legend of Zelda – Ocarina of Time OST(1998)

When Ocarina of Time was released in 1998 it was an event. Everything about it was epic beyond description and decades later it remains one of the greatest games of all time. Although this selection wasn’t a traditional album I listened to growing up, I probably absorbed this music more than any record I owned thanks to the hours of immersive gameplay I consistently lost myself in.

The grand sense of drama, adventure and hopeful innocence this music evokes has influenced every album I’ve released and will continue to inspire all of my future music.

Raymond Scott – The Music Of Raymond Scott - Reckless Nights And Turkish  Twilights (1998, CD) - Discogs

Raymond Scott “The Music of Raymond Scott – The Reckless and Turkish Twilights” (1998)

Although this album was a recent discovery, when I was first introduced to Raymond Scott’s quintet music I felt like I had been listening to it my whole life. It all made sense when I discovered that his themes had been featured heavily throughout the cartoons I had grown up watching.

Although I would loosely classify this as jazz, it’s more like rhythmically intricate classical music played by jazz musicians with a progressive metal sense of inhuman technicality and tightness. It’s also worth mentioning that the drummer on these recordings is none other than the father of famed film composer John Williams, so the next time you hear the Cantina Theme from Star Wars you’ll know who influenced it.

Rachel's - Music For Egon Schiele - Vinyl LP - 1996 - US - Reissue | HHV

Rachel’s “Music for Egon Schiele” (1996)

This album had such a massive impact on me that it single handedly inspired the foundation for the current Musk Ox trio lineup.

Composed for a theater and dance performance about the Austrian painter Egon Schiele, this instrumental album is both breathtakingly beautiful and heartbreakingly emotional. Composed by the group’s pianist Rachel Grimes, I highly recommend exploring her solo work as well as the rest of the Rachel’s discography.

My guitar teacher Dr. John Higney, who I studied with when I moved to Ottawa in 2005 to pursue music, introduced me to this record as well Raymond Scott’s music so I am eternally grateful to him.

ULVER Kveldssanger reviews

Ulver “Kveldssanger” (1996)

Although it feels like each album on this list is part of its own larger list of similar, influential albums, I have to give credit to Kveldssanger for planting and sowing the magical seeds of dark folk in the soil of my musical heart.

The atmosphere and simplicity of this record had a huge impact on me as a beginner guitarist and continues to inspire and challenge me as an experienced one. The early Musk Ox demos were pure Kveldssanger worship, just as all dark folk records are and forever will be.

Agalloch - The Mantle | Pubblicazioni, Recensioni, Riconoscimenti | Discogs

Agalloch “The Mantle” (2002)

When I first fell in love with metal in the early 2000s I was hugely influenced by the albums released by The End Records at the time. Virgin Black’s Elegant…and Dying, Green Carnation’s Light of Day, Day of Darkness and Winds’ The Imaginary Direction of Time could have all appeared on this list but I have to give the top honours to Agalloch’s The Mantle.

I firmly believe that metalheads can be categorized into two groups: those who swear by The Mantle and those whose friends won’t stop recommending them The Mantle. Easily their most expansive record, The Mantle is a grey sky, coastal rain and cold wind put to sound. The atmosphere this album exudes is truly timeless and although their entire discography is flawless, The Mantle is their most unique release.

Opeth - Still Life - Amazon.com Music

Opeth “Still Life” (1999)

When discussing my personal guitar heroes, it’s difficult to place anyone but Mikael Akerfeldt at the top of the list and this album is the reason why.

Akerfeldt’s heavy riffs alone make Still Life a classic but when you add his unique and evocative acoustic fingerstyle playing the results are absolutely singular. Learning Benighted note-for-note was one of my first acoustic achievements and playing it through now remains just as rewarding.

Snow Goose | Amazon.com.br

Camel “The Snow Goose” (1975)

When I first discovered Opeth I had yet to discover prog rock but kept hearing Mikael Akerfeldt mention the band Camel.

I was working at a record shop at the time so I picked up their first four albums and immediately fell in love with them. Camel is one of those bands that doesn’t immediately grab your attention but manage to consistently reappear in your playlist until you realize you’ve been listening to them for 15 years.

Like many prog bands, the early albums are widely regarded as their classics with The Snow Goose being the peak for myself and many a prog fan. The recent concept album An Embarrassment of Riches from my instrumental chamber metal project The Night Watch is directly influenced by The Snow Goose, even if I didn’t realize until afterwards.

Mr. Beast | Mogwai

Mogwai “Mr. Beast” (2006)

In 2006 I was at a friend’s house whose roommate played in an instrumental band. I recognized a Godspeed You! Black Emperor record on his shelf and mentioned that I had never heard their music before. He proceeded to play me their Slow Riot For New Zero Kanada EP and I was converted to post-rock on the spot. He then mentioned that he had some songs from the upcoming Mogwai album Mr Beast and after playing me Glasgow Mega Snake and I Chose Horses I became a lifelong fan.

While GY!BE and Mogwai were both foundational to my love of post-rock I have to pick Mr. Beast as my most influential record of the genre. Although every Mogwai album is fantastic in its own right, Mr. Beast, to my ears, represents every facet of Mogwai’s sound at its most captivating.

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10 Records with Don Anderson (Sculptured, ex-Agalloch)

Episode 39 - with guest Don Anderson (Agalloch, Sculptured) - Curated by  Mirai Kawashima (Sigh) - I Hate Music | Lyssna här | Poddtoppen.se

Musician and songwriter Don Anderson is better known as the lead guitarist of Portland based atmospheric metal band Agalloch, one of the most interesting musical outputs coming out of the metal universe at the end of 90’s and active until 2016.

Started as a studio project, Agalloch’s initial goal was mostly experimenting with melancholic music, taking influences from here and there and melting them into a unique sonic experience made of doom, black metal, early post-rock, neofolk, post-industrial, krautrock, psychedelia and progressive.

Agalloch is probably the best example of a band outside genres and speaking of Don in particular he has a very distinctive approach to his instrument providing very melodic metal guitar solos perfectly mixed with a classic rock attitude (that Gilmour/Pink Floyd influence on The Hawthorne Passage beautiful solo is evident) and folk sensitivity (the hazy EP The White (2004), the acoustic parts of The Mantle (2002), and in particular the track A Desolation Song completely written by him). His style was also complementary with John Haughm’s (the other guitar player and singer) way of playing that was more post-punk/Fields of the Nephilim inspired with some loud post-rock/GY!BE moments too (Limbs).

But Don Anderson’s music is not just Agalloch, his solo project Sculptured is another impressive band worth to listen. Started as a 90’s melodic extreme metal band with the first album The Spear of the Lily Is Aureoled (1998), he later enriched the band’s formula with some more epic and cinematic elements on the second Apollo Ends (2000) and finally destroyed all with the weird and abstract technical prog of the last album Embodiment (2008).

I’m very happy to have Don Anderson as guest for this new article, showing his personal 10 records list, which consist in albums that had a particular impact on him and his life, as a musician and as a listener.

Former Agalloch Guitarist Don Anderson on 'The White' & 'The Grey'  Reissues, Repairing His Relationship with John Haughm and a Live  Performance Video With Panopticon's Austin Lunn | Decibel Magazine

Buy Rising Force [180 gm black vinyl] Online at Low Prices in India |  Amazon Music Store - Amazon.in

Yngwie Malsteen “Rising Force” (1984)

If it weren’t for Malmsteen, I wouldn’t be playing guitar. 

The first record I heard was actually Trilogy, but this was and still is my favorite. 

To those who think Malmsteen is just a shredder, listen to the track Icarus Dream Suite Opus 4; so much feeling and a highly underrated vibrato.

Death: Human [1991] | RockWorld.vn

Death “Human” (1991)

As I gradually got into death metal I knew the music could achieve a high level of musicianship, but I didn’t really find it until I heard this record. 

I came from a formal musical background and although I loved the speed and extremity of both thrash and death metal, I really wanted a band that also had chops. 

Death was that band.

Original …And Justice for All Producer Explains Why He Didn't Work With  METALLICA

Metallica “And Justice for All” (1988)

This was a gateway album for me. 

My introduction to truly heavy music and thrash generally began with the gradual volume swell of the track Eye of the Beholder. That riff sounded so incredibly heavy to me.  It changed my life and musical trajectory. 

I stopped exclusively listening to guitar heroes and began to seek out other bands like Slayer, Megadeth, Anthrax, Sepultura, and soon after death metal and black metal.

J.S. Bach “Orchestral Suites” played by The Academy of St. Martin in the Fields with Neville Marriner (1971)

Bach was also a gateway composer for me. It was his music that showed me polyphony and how multiple melodies work together. 

It also helped that Malmsteen constantly talked about him. 

These suites are so powerful and perpetually revealing, as all of Bach’s music is.  After Bach I went straight to the 20th century and listened to Stravinsky, Shostakovich, and the experimental ones like Xenaxis, Nono, Cage, Ligeti, and Penderecki who I all love. 

But, if you were to ask me about the composer that matters the most to me, it’s J.S. Bach.

Maurice Ravel “String Quartet in F Major” played by The Emerson String Quartet (1990)

Yet another gateway work. 

As I said, I went from Bach to the 20th/21st century and skipped all the classical, romantic, and late-romantic composers. I wrote many of them off as too “ornate” or “excessive” in their lush orchestration. 

Honestly, I was just being close-minded and overly dogmatic about contemporary classical music with its atonality, inaccessibility, and difficulty.  But, this string quarter is simply brilliant. The 2nd movement with the plucked strings is the most famous part and for good reason. 

This led me to devour all things Ravel like the piano works and especially Tzigane. In his music I can hear the work of many 20th century composers like Reich and Glass; he really is a red thread leading to the minimalists of the 20th century. 

From Ravel, I finally opened up to Debussy, Saint-Saens, Borodin, and others.

Cover of ELP Brain Salad Surgery Album - Keep Contemporary

Emerson, Lake, & Palmer “Brain Salad Surgery” (1973)

And this record was my gateway into progressive rock. 

I was a music theory student in college when I discovered ELP and found in them, as I did with Death, the perfect combination of musicianship and rock music. There was also enough weirdness to captivate my rebellious side as well. 

From here I discovered Van Der Graaf Generator, all the great Italian Prog bands, and finally prog from Germany, France, Belgium, Scandinavia, and South America.  I became a total prog-head.

The Royal Scam: Steely Dan: Amazon.it: Musica

Steely Dan “The Royal Scam” (1976)

The title track is a doom song.  I could see Bell Witch covering it. 

But, more importantly the guitar solo in Kid Charlamagne is easily one of my favorite guitar solos of all time.  Larry Carlton’s note choices and intervallic relationships are always surprising and pure ear candy. 

I’m a huge fan of the Dan with their precise recordings, hip lyrics, and again, incredible chops. They simply sound like no one else.

Various Artists “Grindcrusher: Earache Records Sampler” (1989)

So, to risk sounding like an old man… “back in the day” we didn’t have the Internet or the ability to literally hear anything, anywhere.  And if you were a 12–16-year-old kid, you didn’t have much money. 

So, I spent my money very carefully which meant maybe buying a tape a week.  Having access to a sample like this one allowed me to hear a whole lot of bands for the price of one cassette. 

So from here I got into Carcass, Entombed, Nocturnus, Carnage, OLD, Naked City, and many others.  This comp is so important to the history of death metal simply because it offered an affordable way for people to hear all these crazy bands.

Charles Mingus - Mingus Plays Piano LP - Superior Viaduct

Charles Mingus “Mingus Plays Piano” (1964)

Everyone knows Mingus as a composer and double-bassist, but not enough folks talk about how great of a piano player he was. 

I don’t think he played the piano that much, but this record reveals just how intimately connected he was to the piano. 

What you have here is an incredibly personal recording of Mingus improvising on the piano.  It’s captivating and inspiring.  Along with all the other great Mingus albums, this one remains in my top 3.

Current 93 - Of Ruine or Some Blazing Starre Lyrics and Tracklist | Genius

Current 93 “Of Ruine or Some Blazing Starre” (1994)

During the mid to late 90s, I was really exploring outside the confines of metal. 

Current 93 was a group that wildly expanded my idea of experimental music, especially with the combination of electronics and acoustic guitar. 

I was also taken by David Tibet’s whole worldview: the combination of religion, the apocalypse, the occult, and childhood innocence. 

From here I explored what me and my friends all referred to as the “World Serpent Family” which was the label/distro at the time that released groups like Coil, Nurse with Wound, Legendary Pink Dots, and many others.  That whole post-Industrial scene was really inspirational.